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TV Project Self Burial

Arnatt, Keith

Dusseldorf. Fernsehgalerie Gerry Schum. 1969
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Keith Arnatt's first solo exhibition featured one of the most celebrated works of the period, Self Burial, also called The Disappearance of the Artist. This television intervention was based upon a series of nine photos which progressively document as a sequence of images a purported “self burial”. Arnatt first stands centre frame upright on a piece of grass facing the viewers. The grassy area is bordered in the background by bushes. The following shots with unchanged picture composition show the artist buried ever further in the ground - first up to his calves, then to his knees, then thighs and so on - until the only thing which can be seen on the last picture is the hair on the top of his head at ground level. Arnatt changes his posture only minimally during this process; it is only the constantly growing, circular areas of loose soil surrounding his body which break up the static impression of the shots and suggest the burial process.

Every evening at 8.15 pm and 9.15 pm from 11 to 18 October 1969 scheduled programming on West German television was abruptly cut to two pictures from this series; the second image broadcast at 9.15 pm was repeated the next day at 8.15 pm. The broadcast first lasted two and a half seconds and from 13 October they lasted four seconds. They were broadcast without any introduction or accompanying commentary. Only on the last day of the project did Arnatt explain his work in a feature in the culture magazine “Spectrum” which was filmed at the Kölner Kunstmarkt in 1969; during this feature the ninth picture in the series also faded up.

To mark the project this brochure “Keith Arnatt : TV Project Self Burial” appeared in the same year, as Publication n°10 of Fernsehgalerie Gerry Schum. This brochure appeared in a print-run of 500 copies and it was financed by the collectors Gustav Adolf and Stella Baum and distributed by the Fernsehgalerie to interested parties free of charge. The brochure contained facsimiles of the TV schedules as well as montages where the nine photos are given a black cache.
pp. 16. Oblong 8vo. With nine black and white photographs, including one on front cover. Self-wrappers.
#39704

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