The complete suite of the first published edition on large paper.

An excellent unsophisticated copy complete with the white printed 'Vorsicht: ANTi-dada' wraparound paper label.

The rare édition de tête, with Kurt Seligmann's original etching, of Clark Mills' English translation of Stéphane Mallarmé's 'Hérodiade'.

One of Miró's most beautiful books printed entirely on beautiful hand-made paper impressed with flower petals, ferns and herbs.

Complete run the Cobra magazine, (vols 8 & 9 never published).

The scarce posthumous tribute to Iliazd produced exactly as if one of his own works.

A complete set of the original lithographs by Henri de Toulouse-Lautrec for the music by his cousin, the bassoonist Désiré Dihau, composed for the artists of the Cabaret de Chat Noir.

An exceptional complete copy of the first edition of Jean-François de Neufforge's chef d'oeuvre including the extensive supplement.

An excellent example of the bulletin / poster for the Bal de la Grande Ourse with details of the forthcoming entertainment.

The scarce poster / announcement for the 'Bal Olympique' of 1924.

The original ticket with Goncharova's lithograph for the Bal Banal of 1924.

The original ticket with Goncharova's lithograph for the Bal Banal of 1924.

Kirchner's own copy, signed beneath the cover woodcut and annotated by him, of the catalogue for the second of his exhibitions at Kunsthandlung Ludwig Schames in Frankfurt.

Erna Schilling's very fine presentation copy of this very scarce catalogue for the 1920 exhibition of Kirchner's graphic work.

A beautiful Golden Cockerel production with beautiful illustrations by John Nash.

A very rare example of Bonnard's superb second book with Vollard, one of ten from the édition de tête on Japon ancien, with the additional suite and in a contemporary binding by Noulhac.

A superb copy of Maillol's beautiful illustrations for Ovid with the discrete suite in sanguine.

Francis Picabia's copy of the first edition of the catalogue of the Collection of the Société Anonyme, presented by Duchamp and Dreier at the time of publication.

Pierre Reverdy's verse with lithographs by his friend Juan Gris.

A superlative unsophisticated édition de tête example of exceptional rarity of Max Ernst's early frottage experiments.