A very scarce copy of Marcel Duchamp's 'La Boîte-en-Valise' with a triple presentation from Duchamp.

Original 16mm film for Bruce Nauman's 'Pulling Mouth'.

The rare first edition - a beautiful copy in contemporary red morocco with the arms of Stanislas Leczinski for whom the book was produced - of one of the greatest and most beautiful 18th century books on gardens and architecture.

The superlative 'Maximiliana', the double tour de force: for Max Ernst's graphic oeuvre and for Iliazd's mastery of typography and mise en page.

The édition de tête of 'La Septième Face du Dé' with Marcel Duchamp's 'couverture-cigarettes' and an original collage poème-découpage by Georges Hugnet.

An extraordinary work of sympathy, empathy and synchronicity: Ceri Richards' ink illuminations to the poems of Dylan Thomas - with the beautiful painted dust-jacket - undertaken while the poet was dying.

André Breton's copy of the rare édition de tête on Japon Nacré with a long presentation from Tzara and Max Ernst's frontispiece etching in three states.

The second edition of Vasari's famous 'Vite' but the first complete edition with much new material and the first to be illustrated.

A very scarce copy of the vellum issue of the Doves Press' Keats in a highly accomplished binding of red morocco by Frieda Thiersch.

A superb example of the Double Elephant Press portfolio of signed photographs by Garry Winogrand.

A superb example of the Double Elephant Press portfolio of signed photographs by Manuel Alvarez Bravo.

A complete copy of Le Rouge's expansive and virtually unobtainable publication on gardens in the Anglo-Chinese manner.

The very scarce first edition of Moriyama's hand-made artist's book, the variant with the American flag cover, this copy signed 'Daido' by Moriyama.

Dr.

Original signed collage by Max Ernst for La Brebis Galante.

'La Maigre': a milestone in Iliazd's oeuvre, his first issue of a work by de Monluc and an important collaboration with Picasso.

Maurice Heine's presentation copy of the collaboration featuring Max Ernst's colour frottages with Benjamin Péret's verse: 'Je Sublime'.

A superlative large paper copy in a contemporary English binding by the Barlow's Aesop Binder of Barlow's undoubted masterpiece of English book illustration.