A superb set of the first edition of Goya's greatest series of engravings, an early copy printed shortly after the scratch occurred to engraving 45, bound in contemporary Spanish calf and with excellent impressions of the prints.

A very scarce copy of Marcel Duchamp's 'La Boîte-en-Valise' with a triple presentation from Duchamp.

Manet’s illustrations for Cros’ Le Fleuve, the first truly modern illustrated book, with the rare original wrappers.

The rare first edition - a beautiful copy in contemporary red morocco with the arms of Stanislas Leczinski for whom the book was produced - of one of the greatest and most beautiful 18th century books on gardens and architecture.

An extraordinary work of sympathy, empathy and synchronicity: Ceri Richards' ink illuminations to the poems of Dylan Thomas - with the beautiful painted dust-jacket - undertaken while the poet was dying.

André Breton's copy of the rare édition de tête on Japon Nacré with a long presentation from Tzara and Max Ernst's frontispiece etching in three states.

The second edition of Vasari's famous 'Vite' but the first complete edition with much new material and the first to be illustrated.

Robert Lebel's dual novel and autobiography with Marcel Duchamp's signed multiple, Giacometti's signed diptych and the additional signed suite of his etchings.

A very scarce copy of the vellum issue of the Doves Press' Keats in a highly accomplished binding of red morocco by Frieda Thiersch.

A superb example of the Double Elephant Press portfolio of signed photographs by Garry Winogrand.

A complete copy of Le Rouge's expansive and virtually unobtainable publication on gardens in the Anglo-Chinese manner.

Original signed collage by Max Ernst for La Brebis Galante.

An excellent, unsophisticated copy of André Breton's important 'Anthologie de l'Humour Noir' with the frontispiece etching by Picasso and Oscar Dominguez's unique cover.

'La Maigre': a milestone in Iliazd's oeuvre, his first issue of a work by de Monluc and an important collaboration with Picasso.

Maurice Heine's presentation copy of the collaboration featuring Max Ernst's colour frottages with Benjamin Péret's verse: 'Je Sublime'.

A superlative large paper copy in a contemporary English binding by the Barlow's Aesop Binder of Barlow's undoubted masterpiece of English book illustration.