The first published facsimile of any of William Blake's illuminated books, John Camden Hotten's 'The Marriage of Heaven and Hell'.

The first edition of the first book printed in England to make extensive use of Arabic type.

The scarce first edition of Sydney Smirke's ambitious proposals for improvements in the West End.

The first edition of Leon Battista Alberti's 'De Re Aedificatoria' in Spanish.

The magnificent 'Queen's Bible' illustrated with original photographs by Francis Frith and in elaborate decorative red morocco with extensive furniture by Leighton.

A handsome set of Morris' complete works bound by C.

The rare first edition of the first announcement of William Henry Fox Talbot's calotype method - the negative / positive photographic process - the most important innovation in the history of photography.

A splendid French edition of the 'Epistolae et Evangelia' in a beautiful contemporary binding of red morocco à la dentelle likely by Padeloup.

A beautiful and intriguing Irish binding of the mid-eighteenth century, an example of an Irish white inlay, with a décor of distinct and innovative tools.

Odilon Redon's 'Apocalypse de Saint-Jean', an excellent unsophisticated set in the original wrappers.

One of the most charming suites of engravings produced during the eighteenth century in France.

A mint copy of this iconic poster.

An extraordinary work of sympathy, empathy and synchronicity: Ceri Richards' ink illuminations to the poems of Dylan Thomas - with the beautiful painted dust-jacket - undertaken while the poet was dying.

The complete original maquette, presented to his grand-children, for Edward Ardizzone's 1964 illustrated book 'Diana and Her Rhinoceros'.

The complete illustrated original maquette for the definitive version of Edward Ardizzone's 1938 book 'Tim and Lucy Go to Sea'.

A large collection of original designs for 'The Merchant of Venice'.

Original signed gouache by Motley depicting a costume design for Laurence Olivier in 'Becket.

The Engraving Copyright Act or Hogarth's Act of 1734 together with its successor Act granting Hogarth's post mortem rights to his widow Jane Hogarth.

The rare first edition - a beautiful copy in contemporary red morocco with the arms of Stanislas Leczinski for whom the book was produced - of one of the greatest and most beautiful 18th century books on gardens and architecture.

The complete set of the 13 original lithographs by Toulouse-Lautrec on beige wove paper from the edition printed for 'Les XX' in 1913.