Guillaume Apollinaire's extraordinary calligrammatic tour de force Case d'Armons printed at the front in the First World War in very limited numbers.

A very scarce copy of Marcel Duchamp's 'La Boîte-en-Valise' with a triple presentation from Duchamp.

The édition de tête of 'La Septième Face du Dé' with Marcel Duchamp's 'couverture-cigarettes' and an original collage poème-découpage by Georges Hugnet.

André Breton's copy of the rare édition de tête on Japon Nacré with a long presentation from Tzara and Max Ernst's frontispiece etching in three states.

Original signed collage by Max Ernst for La Brebis Galante.

The very rare first exhibition catalogue for the Künstlergruppe Brücke illustrated with original woodcuts by Kirchner, Heckel, Pechstein and Schmidt-Rottluff.

Maurice Heine's presentation copy of the collaboration featuring Max Ernst's colour frottages with Benjamin Péret's verse: 'Je Sublime'.

Odilon Redon's 'Apocalypse de Saint-Jean', an excellent unsophisticated set in the original wrappers.

The édition de tête of the first edition of René Char's 'Le Marteau sans Maître' with Wassily Kandinsky's original dry point engraving, here signed in pencil, unsophisticated in the original wrappers and with the very scarce original bandeau...

First edition of the first Surrealist manifesto with a presentation from André Breton to his future wife, Elisa Claro.

This collage was not included in the book published by Les Editions Premières with text by Benjamin Péret.

Wols' 'exemplaire de compagnon' of Iliazd's typographic masterpiece of visual, phonetic and sound poetry, a beautiful anthological work of the poetic avant-garde.

The édition de tête of the first edition of René Char's collection with Wassily Kandinsky's original frontispiece etching and bound by Georges Leroux.

An excellent example, never folded, of the first issue of the iconic 'kleine dada soirée' poster.

An excellent copy of the édition de tête of Mr.

The complete series of 'Removedor' published by Joaquin Torres-García and his students as the Taller (studio) Torres-García.

One of the finest Eragny productions - Pissarro's second commission and, all in all, his finest book - with the additional discrete suite limited to 13 copies.