A rare large paper signed proof - from the collection of Vollard and Petiet - of the original lithograph issued with 'Le Manuscrit Aurographe'.

A very scarce proof of the cover for 'ARP 1: Prapoganda und Arp'.

The very rare prospectus for the MUIM Institut, the art school for 'neue Art' founded by Ernst Ludwig Kirchner and Max Pechstein, with Kirchner's original woodcut for the front cover.

Kirchner's own copy, signed beneath the cover woodcut and annotated by him, of the catalogue for the second of his exhibitions at Kunsthandlung Ludwig Schames in Frankfurt.

Erna Schilling's very fine presentation copy of this very scarce catalogue for the 1920 exhibition of Kirchner's graphic work.

An excellent example of this very early American artist book / livre d'artiste.

A superb copy of Maillol's beautiful illustrations for Ovid with the discrete suite in sanguine.

A very rare example of Bonnard's superb second book with Vollard, one of ten from the édition de tête on Japon ancien, with the additional suite and in a contemporary binding by Noulhac.

Pierre Reverdy's verse with lithographs by his friend Juan Gris.

Marc Chagall's masterful illustrations for Gogol's 'Dead Souls'.

The very rare édition de tête of this second edition of 'ZLOM' designed by Karel Teige, signed by Biebl and Teige and with all of Teige's compositions with additional colour heightening by hand.

An exceptional copy of the very scarce exile Surrealist broadside 'Pleine Marge' with Breton's original manuscript for the poem.

A presentation copy of the deluxe issue of Man Ray's catalogue with the original signed collage.

A superb original collaborative Surrealist double-sided collage signed by Max Ernst and Georges Hugnet - two of the most remarkable, original and productive practitioners of the technique - and presented to Noel Armand.

Louis Grosclaude's portfolio of etchings after Picasso's original drawings.

A very fine copy of this delightful collaboration between two Art Deco masters: Georges Barbier and François-Louis Schmied.

The rare 1927 Czech edition of de Quincey's 'Levana and Our Ladies of Sorrow' with Josef Čapek's linocuts all with additional colour by hand.

A very fine example, never folded, of this scarce, iconoclastic and blasphemous dada manifesto, an excellent specimen of dada typography.

Gaston Ferdière's presentation copy of the scarce catalogue for the ambitious and highly influential International Surrealist Exhibition held in London in 1936 signed by a number of the participants.