Complete run the Cobra magazine, (vols 8 & 9 never published).

The scarce posthumous tribute to Iliazd produced exactly as if one of his own works.

A beautiful example - with rare proofs - of Paul Eluard's 'Un Soupçon' illustrated by Michel Guino and 'mis en lumière' by the typographer / poet Iliazd.

Hannah Höch's 1918 portfolio of linocuts reissued in 1964 with a new title-page.

A very scarce proof of the cover for 'ARP 1: Prapoganda und Arp'.

The very rare prospectus for the MUIM Institut, the art school for 'neue Art' founded by Ernst Ludwig Kirchner and Max Pechstein, with Kirchner's original woodcut for the front cover.

Kirchner's own copy, signed beneath the cover woodcut and annotated by him, of the catalogue for the second of his exhibitions at Kunsthandlung Ludwig Schames in Frankfurt.

Erna Schilling's very fine presentation copy of this very scarce catalogue for the 1920 exhibition of Kirchner's graphic work.

An excellent example of this very early American artist book / livre d'artiste.

A superb copy of Maillol's beautiful illustrations for Ovid with the discrete suite in sanguine.

A very rare example of Bonnard's superb second book with Vollard, one of ten from the édition de tête on Japon ancien, with the additional suite and in a contemporary binding by Noulhac.

Pierre Reverdy's verse with lithographs by his friend Juan Gris.

Marc Chagall's masterful illustrations for Gogol's 'Dead Souls'.

A superlative unsophisticated édition de tête example of exceptional rarity of Max Ernst's early frottage experiments.

Louis Grosclaude's portfolio of etchings after Picasso's original drawings.

A very fine copy of this delightful collaboration between two Art Deco masters: Georges Barbier and François-Louis Schmied.

The rare 1927 Czech edition of de Quincey's 'Levana and Our Ladies of Sorrow' with Josef Čapek's linocuts all with additional colour by hand.

A very fine example, never folded, of this scarce, iconoclastic and blasphemous dada manifesto, an excellent specimen of dada typography.

Gaston Ferdière's presentation copy of the scarce catalogue for the ambitious and highly influential International Surrealist Exhibition held in London in 1936 signed by a number of the participants.